Morgunbladid 1996-06-02 By Elin Palmadottir Translated by G.L.Hjalmarsson dr.gunni@SAGA.IS Highlights from Elin Palmadottir's interview with Bjork. "Björk ræð ferðinni Sjálf" Are you going to get married or is that just gossip? "I don't know. Everybody else seems to know that better than me. But that's true, Goldie is my boyfriend. He's half Jamaican and half Scottish, great mix, that reminds me of an Icelander. We met when his band supported me. And he's going to play in Reykjavik too. He has never married, but I am divorced. I really want to get married, but I am in the "chicken-step-business", I only take one step at a time. I don't really want to decide, I think it's good to have it undecided like it is. I still suspect I will eventually end up married again." Once in a while you come home to cozy Iceland, where you're left alone, right? "I try, I came home last time last xmas. The worst thing is that I wasn't left alone. I have never experienced that before in Iceland. Iceland was always my shelter, where I could go to rest. But I gave up after last xmas. I was going insane, people stared at me and screamed at me if I was doing something, like walking down the street. I got fed up, said bye to my friends and went out to the country alone. One day I was walking alone out in the lava when a jeep drives past me. The driver sees me and stops, a family man sends out his kids. They came running to me and poked at me. It was like the father had seen a dinosaur in the lava and sent out his kids to look at her. They didn't look me in the eyes or say good-day or anything. This has never happend before or after and it was really hard for me. Next time when I come home I'll just meet my friends and go straight out to the lava. At least not be much out. Maybe this is like that because I have been abroad for so long time before. If I'd live in Iceland maybe people would stop screaming at me. I hope so at least." The Bangkok incident. "I think that was the third time in my life that I have defended myself with my fists. That is just not in me. This was quite hectic there on the Bangkok airport. The nine biggest TV-stations in Asia and CNN were there broadcasting live. When I didn't want to talk to them they went for Sindri. He sat on a suitcase on a trolley that I was pushing and they asked him if it wasn't difficult to have such famous mother and travel so much. Then I saw red and started hitting. That's bullshit that the reporter I hit did only say "welcome to Bangkok" to Sindri. She lied. The day after I rang her to say I'm sorry. She was very nice on the phone, but then I saw an interview with her where everything had been turned upside down. She is definately not very honest. That kind of people can be found in all professions." What are you doing now? "Firstly I am experimenting with glass harmonium, well I don't know what to call it. I think Mozart wrote for it first. I play on bowls, wipe on them like cognag glasses. I wrote little popsongs for this. Then we have rented a movie studio and we're going to film the concert there that I have been travelling with for 8 months. The stage is huge, there are skyscrapers, trees, plants and all sorts of gimmicks. This is total theater. We will film the concert properly and put on video." The third album. "I have started working on my third album. Work with a string quartet what I have written on my computer. People in my family don't start to bloom until they are old, or over 30 or 40 and they reach the peak at 70 - 80. I am sure its the same with me. I feel like I have just started. These two albums that are out are like exercise for me. Therefore I call them Debut and Post. Now I feel like I have started on my first proper album, the other two are just like scetses." Will the next album then be revolutionary for you? "Yes, Debut and Post were results of what I had been doing the last 15 years. Therefore the songs are so different. Sometimes I was interested in Jazz or just saxophone and so on. With Debut and Post I have gathered lots of experience and also I have learnt to be the boss, my own boss, in a group of lots of people." Bjork says she has 8 new songs. She writes a song and then records it and the record will come out when she has enough songs. The last thing she did was a song for a Brazilian big band, that she hired. "This is total luxury, a 40-piece band, mostly violins of course. I am really over-pampered, I fully realize that. I am really lucky to be in this situation, to be able to get an idea and then to fulfill that idea. People have lots of dreams but only some can make them come true." Hanging out with Stockhausen and Schonberg Bjork has her fingers in many pies. Recently she interviewed the composer Karlheinz Stockhausen for an English music magazine. And now she is practising vocals for a piece by another composer from this century, Schonberg, that will be performed in the Lille Opera in France in the autumn. Bjork says it was a great experience to meet Stockhausen. This was her first interview on the other side of the table. A magazine that knew she liked Stockhausen asked her to do the interview. "I have always listen to Arnold Schonberg, Karlheinz Stockhausen and Olivier Messiaen. When I was in the Reykjavik Childrens music school I was presented to those composers and I have been listening to them since, perhaps mostly to Messiaen, especially his organ-pieces. The fact is that I have always listened to everything, Chinese jazz, Indian punk or monks singing in the Alps. I have always been interested in music from this century but I think older music has nothing to do with me. Me and Stockhausen went along fine. He was totally open, totally awake, not one cell in his body asleep. 68 years old he has childish interest in life. And he is very curious." Had he listened to your music? "Yes something, but I didn't talk to him about that. I was deeply honoured to meet him and ask him all those questions, that I have always longed to ask him. For me in musical context it was meeting God and get the change to ask him why the sky is blue and why we have two arms. When I went away I thought that this is how I want to be when I am old. Something like this has never happend to me before." How come you're singing a piece by Arnold Schoenberg? "I would never have gotten that idea myself, because my heart belongs to pop music. But it's a great opportunity. A conductor called Kemp Nagano asked me to sing in this piece. I look at this as a good opportunity to practice my voice as this is totally different from what I usually do. This is not opera-singing but half-sunged and half-spoken vocalizing. Schonberg invinted this style. I would never have thought I could sing this but the conductor is sure of it and sends a man three times a week to train me. I have been doing this for few weeks and this really helps me in what I do usually. I will be exactly the same singer but this is a fine-fine-fine tuning of my voice."